Archive for the ‘Philip Mynott Photographer’ Category

Photographic building blocks…

Tuesday, September 7th, 2010

It’s often a bit of a challenge to create an original image of an iconic landmark.  Of course, the more unique they are the more often they have been photographed – especially buildings in the London financial square mile, which are often used  by print and broadcast media to illustrate financial business stories and features.

So I had great fun yesterday, for an hour or so, prior to a photo assignment at Lloyds of London, looking for a new angle to capture these impressive objects. Once you start looking, you’ll be amazed at the number of new variations on a well-photographed theme you can come up with.

For this photo here I was able to include two well-known buildings – I like the way it looks as if the ‘Gherkin’ is being squeezed out by both the Lloyds building and its neighbour. I also like the angle of view provided by the ultra wide angle lens I used. It encourages the viewer to look skywards – something of course visitors to world cities often do when walking between these towering man-made forests.

Getting to the core of wedding photography …

Monday, September 6th, 2010

Wedding photography can be a real chore if  the bride and groom just want “traditional” Mills & Boon-type images – get me a bucket, quick … This is one of  the main reasons why I’m very selective as to which weddings I agree to photograph.

There was never going to be any chance of  Hannah and her lucky hubby Karl having a stuffy-type Big Day! It was – as my late mother-in-law from the Emerald Isle, would have said: “a real craic of a hooley”. My brief was to capture the spirit of the celebration reportage-style and highlight the fun and spirit of the occasion. I, as always, coerced a few groups for the benefit of future generations –  for the rest of my time I happily documented the day in all its detail.

My Press photography instinct proved too strong for me to ignore, posing up this shot with the bride and her elder sister – even better that her middle name is Eve!

Trouble at t’mill …

Friday, September 3rd, 2010

What I love about photography is the way it can lead you to places and eventually pictures you never planned until you arrive there and then of course you claim it was your stated intention to go there all along.

Yesterday, with my photo jaunt to Derbyshire almost complete, we arrived in the valley where the industrial revolution really took off – now a World Heritage site, the  mill of industrialist Richard Arkwright. To be honest, my mind was focused on lunch rather than heritage when I arrived in the town of Cromford – it is now lovingly undergoing restoration by a dedicated group of volunteers. Obviously, once there, I had to take a photo for myself, so I then spent an enjoyable  30 minutes looking for an angle which portrayed the industrial mood of the Mill. Mills were by all accounts grim places to work, so I was determined to use the shadow to help bring some darkness to the image  - whilst excluding the many safety barriers and other construction at the location. The trade-off between losing my lunch break and producing this image was, I think, worth it.

So how important was Arkwright’s entrepreneurial genius and what is his legacy? Well, materialistically, the fact that I took this photo on a camera made in Asia, whilst wearing a T-shirt made in China and purchased in South Africa, then posted the photo on a laptop made in America, is in no part down to the mass mechanical  production line techniques first introduced in Cromford. The social implications of this cycle of change that Arkwright ignited, for better or worse, are even greater.

Ermintrude is not amoo’sed …

Thursday, September 2nd, 2010

The general rules of portrait photography are always the same regardless of who or what your subject is. My subject here was more curious than willing to be photographed – nevertheless I applied my usual rules of engagement for this assignment.

In most portrait situations I will usually  focus on the eye nearest the camera, then adjust my depth of field dependent on how much of the other facial features I want to have in focus. My usual choice of lighting is to opt for soft daylight. However, on sunny days it does no harm to go with the flow and use the full sun to your advantage – it can certainly add some vibrancy to the photo. I may also use some subtle flash fill-in – but not in this case as I like the shadow on the left-hand side of the face (also a flash may have caused my subject to stampede)! Another useful tip is to converse with your subject throughout the shoot – in this instance rather than chat about the state of the economy, we just chewed the cud …

In the moo’d …

Wednesday, September 1st, 2010

Here’s a photo I took at dusk yesterday – 10 minutes previous to this I thought I had taken all my photos for the day and so had packed my cameras away. At the end of a long day photographing in the Derbyshire White Peaks, when this herd of dairy cows silhouetted their way across the field adjacent to where I was chilling out, enjoying good company and red wine! A mad dash for the camera and a quick lie-down in front some much bemused bovine and a glorious dusk skyscape was photographed – which just goes to show you’ve never stopped exposing until the fat cow moos!