Archive for the ‘Environment’ Category

Trouble at t’mill …

Friday, September 3rd, 2010

What I love about photography is the way it can lead you to places and eventually pictures you never planned until you arrive there and then of course you claim it was your stated intention to go there all along.

Yesterday, with my photo jaunt to Derbyshire almost complete, we arrived in the valley where the industrial revolution really took off – now a World Heritage site, the  mill of industrialist Richard Arkwright. To be honest, my mind was focused on lunch rather than heritage when I arrived in the town of Cromford – it is now lovingly undergoing restoration by a dedicated group of volunteers. Obviously, once there, I had to take a photo for myself, so I then spent an enjoyable  30 minutes looking for an angle which portrayed the industrial mood of the Mill. Mills were by all accounts grim places to work, so I was determined to use the shadow to help bring some darkness to the image  - whilst excluding the many safety barriers and other construction at the location. The trade-off between losing my lunch break and producing this image was, I think, worth it.

So how important was Arkwright’s entrepreneurial genius and what is his legacy? Well, materialistically, the fact that I took this photo on a camera made in Asia, whilst wearing a T-shirt made in China and purchased in South Africa, then posted the photo on a laptop made in America, is in no part down to the mass mechanical  production line techniques first introduced in Cromford. The social implications of this cycle of change that Arkwright ignited, for better or worse, are even greater.

Ermintrude is not amoo’sed …

Thursday, September 2nd, 2010

The general rules of portrait photography are always the same regardless of who or what your subject is. My subject here was more curious than willing to be photographed – nevertheless I applied my usual rules of engagement for this assignment.

In most portrait situations I will usually  focus on the eye nearest the camera, then adjust my depth of field dependent on how much of the other facial features I want to have in focus. My usual choice of lighting is to opt for soft daylight. However, on sunny days it does no harm to go with the flow and use the full sun to your advantage – it can certainly add some vibrancy to the photo. I may also use some subtle flash fill-in – but not in this case as I like the shadow on the left-hand side of the face (also a flash may have caused my subject to stampede)! Another useful tip is to converse with your subject throughout the shoot – in this instance rather than chat about the state of the economy, we just chewed the cud …

In the moo’d …

Wednesday, September 1st, 2010

Here’s a photo I took at dusk yesterday – 10 minutes previous to this I thought I had taken all my photos for the day and so had packed my cameras away. At the end of a long day photographing in the Derbyshire White Peaks, when this herd of dairy cows silhouetted their way across the field adjacent to where I was chilling out, enjoying good company and red wine! A mad dash for the camera and a quick lie-down in front some much bemused bovine and a glorious dusk skyscape was photographed – which just goes to show you’ve never stopped exposing until the fat cow moos!

Photograph out of your shell …

Tuesday, August 31st, 2010

The recent rainy weather  encouraged a large number of snails to venture further afield from the  damp and musky corners they tend to congregate in during drier times. Snails, although not welcomed by gardeners (have a look at my skeletal-looking cauliflower plants to see why!) can make interesting photographic subjects.

The Roman snail in the photograph posted here was making a dash across one of the windows in our home during the recent damp weather. What I like about this image is that we can view the muscles that it uses to move forward. As it was photographed ‘against the light’, I had a pig of a job getting the correct exposure  - I wanted to show the darkness of its muscles in the translucent white part of its body, which is called a sole or snail’s foot.I also wanted to show some of the detail in its shell – using a reflector to bounce back some of the daylight from outdoors was out the question as it would have produced a reflection on the glass. I manouevred the camera so that the white part was against a dark background (neighbour’s garage wall)  and the shell was against the backlit light-coloured plant – both backgrounds are out of focus. I then just had to wait until its two pairs of  tentacles were protruding – the larger pair have an eye on the end of each. It’s likely that the snail in this photo was trailing across the window looking for a mate  as they like to do that when it’s damp. Roman snails are  the largest of the UK resident snails, so a good subject to photograph. The downside about the detail in this photo is that the lady of the house blames me for the marks left by the snail and has tasked me to clean the window – a job I intend to get around to at a snail’s pace!

Splashing out in the rain …

Thursday, August 26th, 2010

Never let bad weather deter you from getting out and about with your camera – just remember to keep your camera dry. With a compact you can keep it in a pocket until you are ready to take your photo. Rainy days – like the day we’re having today  here in Cambridge – give you the chance to focus in a different world – raindrops and water bring reflections and shiny textures of their own. Because of the way digital cameras record the world,  the colours in photographs are likely to look more vibrant than they do to the way you viewed the scene – so you may well end up with a better result than you first thought. It’s always worth taking a shot whatever your doubts may be. I took this photo posted here this morning on my way back from an assignment. I used my compact  (keeping my D3 bodies tucked up nice and dry in the camera bag) to capture a falling drop of water splashing into the puddle from an overflowing water gutter on an overhanging roof.